Kelly (Patricia)

7742.
Ní Cheallaigh (Pádraigín): An Ghaeilge sa chóras oideachais 1919-1929.
In TnaG 4 (1984–1985), pp. 113–132.
12613.
Kelly (Patricia): The Táin as literature.
In Aspects of the Táin (1992), pp. 69–102.
13978.
Kelly (Patricia): The earliest words for ‘horse’ in the Celtic languages.
In The horse in Celtic culture (1997), pp. 43–63.
Generic terms: 1. OIr. ech; 2. W march, OIr. marc; 3. MW cafall, ceffyl, caffon, OIr. capall; 4. W gorwydd; 5. W eddystyr [OIr. adastar]; 6. OIr. gabor; 7. mandu? [MIr. menn]. ‘Stallion’ [OIr. caullach, etc.]. ‘Gelding’ [OIr. meile]. ‘Mare’ [OIr. láir]. ‘Foal’ [OIr. lurchaire; OIr. serrach].
9540.
Kelly (Patricia): Variation in early Irish linguistic terminology.
In Dán do oide [Ó Cléirigh essays] (1997), pp. 243–246.
2809.
Kelly (Patricia): Two relative clauses in Críth gablach.
In ZCP 49–50 (1997), pp. 373–377.
Argues that D. A. Binchy's emendation of the two sentences introduced by céin in Críth gablach §9, 77-79 is unnecessary, and offers an interpretation of the text that allows the restoration of the original readings in MS TCD H 3. 18 (céin mbís maice and céin bes n-óenchiniud).
9583.
Kelly (Patricia): Remarks on the omission of the particle no in early Irish verbs.
In Studia celtica et indogermanica [Fs. Meid] (1999), pp. 157–161.
11149.
Kelly (Patricia): A seventeenth-century variety of Irish English: Spoken English in Ireland 1600-1740 revisited.
In Celtic Englishes 2 (2000), pp. 265–279.
8645.
Kelly (Patricia): A fragment of a Latin grammar.
In Ogma [Fs. Ní Chatháin] (2002), pp. 243–250.
6224.
Kelly (Patricia): The Rule of Patrick: textual affinities.
In Texts and transmission (2002), pp. 284–295.
12565.
Kelly (Patricia): Téchta eich: the proper qualities of a horse.
In Saltair saíochta [Fs. Mac Eoin] (2013), pp. 83–87.
14796.
Kelly (Patricia): The Odrán episode in Esnada Tige Buchet.
In Ollam [Fs. Ó Cathasaigh] (2016), pp. 47–60.
On the text in Appendix A (as ed by D. Greene, 1955); includes English translation. Argues that this section is not an interpolation but an integral part of the narrative.